The importance of a good reference photo can’t be ignored when working representationally (even when working from life, most artists still take photos.) Once the painting is done, though, the reference photos may seem kinda useless. But, I’ve found new ways to make use of these photos by utilizing them for cyanotypes!
I’ve used some of my barbie pictures, to some cool results. I like how the cyanotype kind of blurs the sense of size and depth to the point that the final images almost look like human portraits. Well, not all of them…
I’ve also made use of my sheet mask reference photos (along with some experimenting with the plate):
I’m really loving exploring literally the exact same subject matter in two completely different mediums (photography and painting.) It gives me the chance to explore a subject in both a more labored process, as well as a very immediate one. After agonizing over one painting for 10 hours, sometimes being able to make 10 prints in one morning is the perfect palette cleanser.