The importance of a good reference photo can’t be ignored when working representationally (even when working from life, most artists still take photos.) Once the painting is done, though, the reference photos may seem kinda useless. But, I’ve found new ways to make use of these photos by utilizing them for cyanotypes!
I’ve used some of my barbie pictures, to some cool results. I like how the cyanotype kind of blurs the sense of size and depth to the point that the final images almost look like human portraits. Well, not all of them…
I’ve also made use of my sheet mask reference photos (along with some experimenting with the plate):
I’m really loving exploring literally the exact same subject matter in two completely different mediums (photography and painting.) It gives me the chance to explore a subject in both a more labored process, as well as a very immediate one. After agonizing over one painting for 10 hours, sometimes being able to make 10 prints in one morning is the perfect palette cleanser.
Cyanotype: Underwear I | cyanotype on Arches Hot Press | 12×16″ | Available from ArtOne Gallery
For more of an explainer on what cyanotypes are, see my post here about the process.
So, in my exploration of cyanotypes, I inevitably ended up exploring fabric. Making the best photograms (or exposing actual, physical objects to make the photo) means going all Goldilocks and finding objects that are just right. Ideally, they’re a little transparent, but not too much. They’re intricate, but not too delicate (so as to not let too much light in.) They’ll lay flat, but not completely (as that looks kinda boring.) I don’t know how exactly I arrived at mesh undies in my quest, but I’ve really enjoyed exploring their possibilities from an aesthetic perspective as well as their potential for thematic undertones.
My work, overall, is concerned with feminine beauty rituals and objects that are heavily gendered as feminine. So, this experimental series actually aligns with the rest of my work quite well. I love how the bras and underwear end up looking ghost-like: they just sort of float in a dark, blue abyss. Also, cyanotypes are where the term “blue print” comes from, so one could look at these as showing the “architecture” of (a very traditional view of) femininity. Maybe that sounds too pretentious, lol.
Cyanotype Underwear IV, 13″ X 17″ X 1.5,” cyanotype on paper, Available from ArtOne Gallery
All I know is that I really enjoy making these. As with monotypes, I love how I never really know how they’ll turn out until I develop them under running water. So many variables will effect how the print will turn out, everything from the weather that day, to how long I expose it, to how I laid out the underwear over the sensitized paper. Each pair of undies ends up having its own personality!