Lately I’ve been experimenting with using plain old crayola crayons with watercolor. The crayon sort of gets a bad rap- they’re childish, cheap, and used to be racist. But, I always thought, and continue to think, that a box of crayons is one of the more beautiful things one can own. Seeing them all lined up in the box, the tips sharpened to that vaguely conical point, certainly feels warmly nostalgic to me (they were also my favorite “how it’s made” segment of Mr. Roger’s Neighborhood.) But, of course, I now find myself working with them in a more “serious” manner:
All paintings by Megan Koth, 2013.
Using crayons with watercolor like this is a great way to do a quick resist, and/or to add interesting linear effects. The crayon marks “blend in” pretty well with the watercolor- I was afraid it may look too garish. I’m even starting to enjoy doing sketches in my sketchbook with them. There’s something very relaxing about using crayons for me, and I’m sure the same is true for a lot of people. They make me want to work more freely and directly- probably because that’s how we all worked with them as children. As artists, sometimes our biggest challenge is trying to grasp that sense of confidence and spontaneity again. After all, as Picasso famously said, “It took me four years to paint like Raphael, but a lifetime to paint like a child.”